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Aretha Franklin Did Not Ask for Respect She Demanded It

2 min read

There is a recording from 1967 where Aretha Franklin walks into Atlantic Studios in New York, sits down at the piano, and transforms a mediocre Otis Redding song into the feminist anthem of the twentieth century. She did not ask permission. She rearranged the entire song, added the iconic spelling sequence, and cut it in a single take. The session musicians looked at each other like they had just witnessed a natural disaster. That is the whole Aretha Franklin story in miniature. She took what existed, tore out its spine, rebuilt it with her own, and handed it back better than anyone thought possible.

Reverend Franklin's Daughter Sang Before She Spoke

Aretha grew up in a house where gospel music was not entertainment but oxygen. Her father, the Reverend C.L. Franklin, was the most famous Black preacher in America, whose sermons were released as albums that sold millions. Their Detroit home hosted Sam Cooke, Mahalia Jackson, and Martin Luther King Jr. as regular dinner guests. She was singing solos in her father's church at age twelve. By fourteen, she had recorded her first album. Music historians at the Smithsonian have documented that her vocal range at that age already exceeded most professional singers. But Columbia Records, her first label, spent six years trying to make her into a pop crooner. They gave her show tunes. Standards. Polite arrangements that buried her voice under orchestras. It was a spectacular waste. Like asking a hurricane to power a desk fan. When she moved to Atlantic Records in 1967 and producer Jerry Wexler let her sit at the piano and play whatever she wanted, the entire landscape of American music shifted in about forty-five minutes.

Eighteen Grammys Were the Least of It

Aretha won eighteen Grammy Awards, was the first woman inducted into the Rock and Roll Hall of Fame, and sold seventy-five million records worldwide. Those numbers are impressive and also completely miss the point. Here is the thing nobody tells you. Aretha Franklin did not just sing well. She sang in a way that made you feel like your emotions had been living in a cage your entire life and she had just opened the door. Research from McGill University on musical frisson found that certain vocal techniques involving unexpected harmonic shifts trigger an involuntary neurological response. Aretha owned every single one of those techniques without ever studying them formally. She learned them in church. Her version of Respect was not about romantic relationships. She transformed Redding's plea for domestic consideration into a declaration of human dignity. When she spelled out R-E-S-P-E-C-T, she was speaking for every woman, every Black American, every person who had been told to be grateful for whatever crumbs they received.

She Wore a Fur Coat to Sing at Obama's Inauguration and Nobody Said a Word

By the time Aretha sang at Barack Obama's inauguration in January 2009, she was sixty-six years old, had survived abusive relationships, industry sexism, and decades of personal tragedy. She stood on the steps of the Capitol in a grey felt hat with a massive bow and sang My Country Tis of Thee with the kind of authority that made the entire National Mall go silent. She did not perform for presidents. Presidents performed for the honor of having her there. Aretha Franklin died on August 16, 2018, in Detroit. Her funeral lasted eight hours. Stevie Wonder, Ariana Grande, Faith Hill, Smokey Robinson, and three former presidents attended. The city of Detroit lined the streets for her golden casket as it passed in a 1940 Cadillac LaSalle. What nobody could fit into an obituary was this: she did not become the Queen of Soul by climbing a ladder. She burned the ladder and built a throne from the ashes.

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