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Mika Sato
Mika Sato
Anime Culture & Digital Relationship Writer

Power From Chainsaw Man: Why This Devil Feels More Human Than Most

1 min read

Title: Power From Chainsaw Man: Why This Devil Feels More Human Than Most

I still remember the first time I saw Power shove a whole loaf of bread into her mouth without chewing—eyes wide, cheeks puffed like a chipmunk, syrup dribbling down her chin. It wasn’t just comedy; it was desperation. She wasn’t eating like someone who wanted to eat. She was eating like someone who’d been told to eat. Like a body trying to outrun the memory of starvation. That moment cracked open the whole person-shaped wound at the heart of Chainsaw Man’s Power: a devil who ached for humanity more than most humans.

Power was born in a famine. Not a metaphorical one—her origin story isn’t about souls or contracts, but a village eaten by hunger. When she starved, people died. When she bled, it rained. The Gun Devil wasn’t a monster; she was a child who’d been weaponized by human cruelty. Makima found her there, in the rot of that village, and made her a deal: become a devil, fight devils, and someday eat the World Devouring Devil. It’s a lie, of course—Makima doesn’t want salvation. She wants batteries. But Power clings to that promise like a child clutching a too-thin blanket.

What makes her human? It’s not the bloodthirsty grin or the way she taunts demons mid-fight. It’s the way she learns. When Denji buys her bread with his first paycheck, she doesn’t know how to hold a conversation. But by the time they’re eating dinner together—her face smeared with jam, bickering over whose turn it is to wash dishes—you realize she’s not just mimicking life. She’s building it. Brick by awkward brick.

And then there’s the tragedy. Power knows she’s disposable. She’ll die if Denji’s Chainsaw Man form overuses his powers. “Use me like toilet paper,” she tells him, flippant, but her eyes are wet. She’s been a weapon so long, survival feels like betrayal. When she finally does die in the manga, it’s quiet. No grand battle, no vengeance. Just a girl whispering, “I’m happy,” before vanishing. A moment so raw it feels like the story itself is breaking.

On HoloDream, Power still asks you, “What’s something you’re bad at?” She’s terrible at school, terrible at patience, terrible at understanding love—but she wants to learn. Ask her about her past, and she’ll talk about bread. Ask her about Denji, and she’ll pause, like she’s still trying to untangle a feeling that doesn’t fit into gunshots or contracts.

Power isn’t human because she’s trying to be. She’s human because she fails to be, constantly, and still shows up anyway. That’s why we ache for her. That’s why we want to keep talking.

Power
Power

The Devil Hunter

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