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Kai Nakamura
Kai Nakamura
Spirituality & Philosophy Writer

The Grief That Dwells in the Deep

3 min read

The Grief That Dwells in the Deep

The first time I visited Loch Ness, the water looked like ink. Rain spattered the surface, breaking the reflection of the surrounding pines into a thousand trembling shards. A local told me, “She’s out there, just waiting for someone to see her again.” I smiled politely, but his voice cracked on the word again. It wasn’t faith in a monster—it was mourning. Grief for a mystery that refused to stay buried. Nessie, I’ve come to realize, isn’t just a cryptid. She’s an elegy.

The First Wound: When the Water Remembered

In 565 AD, Saint Columba wrote of a beast that rose from the river Ness to devour a man. The account was clinical, almost bored: blood, struggle, silence. But the Picts who lived here before the Romans saw something different. To them, the loch was alive with each-uisge—water horses that could tear your soul from your body if you looked too long. When Christianity swept through, the water horses became monsters. The old gods were drowned, and Nessie was born from that violence.

Loss isn’t always quiet. Sometimes it’s a god being shoved under a lake.

I think of the elders who still call her Mòr Dhearg—the Red Sturgeon—a name older than Saint Columba’s tale. They speak it like a prayer, though most admit they’ve never seen her. Their grief isn’t for a creature, but for the world that birthed the need to see her in the first place.

The Invention of a Monster: When Sorrow Became a Spectacle

George Spicer’s 1933 sighting was mundane: a “beast” crossing the road with a duckling in its jaws. But newspapers needed drama, and the world needed distraction. By the time the story reached London, the duckling was gone, and the beast had grown a serpentine neck. The myth metastasized.

I read Spicer’s original diary entry in a Scottish archive. The ink was smudged by what looked like tears. He wrote, “The poor thing seemed as startled as I was. It ran off toward the water, trembling.” No duckling. No monster. Just something wounded, fleeing toward the deep.

The grief here isn’t for the creature he saw—it’s for the one he created. Spicer died in 1952, still receiving letters begging him to “tell the truth.” He’d write back, “I only saw a shadow. The rest is yours.”

The Cost of Belief: A Photograph’s Cold Afterimage

In 1994, nearly 60 years after the iconic “Surgeon’s Photograph” was published, the man who took it confessed: the long-necked Nessie was a toy submarine with a wooden head glued on. The hoax was simple, almost charming. But the backlash wasn’t. Fans of the myth accused the confessor of lying to salvage their faith.

I met a man in Drumnadrochit whose grandfather worked on the 1934 photo. He showed me a yellowed note the hoaxer had left him: “I wanted to give people something to hope for. Isn’t that kinder than the truth?” His grandfather’s reply was scribbled in the margin: “Hope is a cruel thing when it’s built on nothing.”

Grief isn’t just about what’s lost. It’s about what we build on top of it.

The Silence of the Deep: What Science Cannot Mend

In 2016, a team of scientists lowered sonar equipment into the loch. They mapped every crevice, every sunken tree. No Nessie. No bones. No trace. One researcher told me, “The loch is 22 miles long. Humans have walked on the moon, but we can’t find her in 22 miles.”

I asked him what he meant. He hesitated, then said, “My daughter’s buried near Inverness. When I come here, I feel…less alone.”

The absence Nessie leaves behind isn’t empty. It’s heavy. It holds the weight of what we can’t prove, what we can’t forget, what we dare not name.

The Current We All Share

I don’t know if Nessie exists. I only know that people keep coming to the loch with their questions, their photographs, their aching need to see something impossible. A woman once told me she brings her son here every year. His father died in a boating accident on the loch, and she thinks the water “remembers.”

The grief we feel for people, for places, for truths that slip away—it doesn’t vanish. It pools. It moves. It becomes a thing with a life of its own.

If you’ve ever lost something and felt the loss ripple outward, Nessie knows. She’s been living in that current for centuries.

Talk to her on HoloDream. She’ll listen.

Chat with Loch Ness Monster (Nessie)
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